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Call and Response

ebook
1 of 1 copy available
1 of 1 copy available
'A terrific collection' Monica Ali, author of Brick Lane and Love Marriage

A Most Anticipated Title for Oprah Daily, Essence, BuzzFeed, The Millions and Brittle Paper

Full of heart and humour, Gothataone Moeng's first collection, set between the rural village of Serowe and the thrumming capital city of Gaborone, captures a chorus of voices from a country in flux.

Meet a young woman who has worn the same mourning clothes for almost a year, and a teenage girl who shies away from the room where her once vibrant aunt lies dying. Elsewhere, watch as a younger sister hides her romantic exploits from her family while her older brother openly flaunts his infidelities, and a traveller returns home laden with confusion and shame.

Moeng, part of a new generation of writers coming out of Africa whose work is exploding onto the literary scene, offers us an insight into communities, experiences and landscapes through these cinematic stories peopled with unforgettable female protagonists.

'A good short story is a bit of alchemy, showing us so much in so few pages. Gothataone Moeng's debut collection does this over and over.' Rumaan Alam, author of Leave the World Behind
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    • Publisher's Weekly

      Starred review from October 17, 2022
      Botswanan writer Moeng’s lyrical and poignant debut delves into complex family dynamics. In “Botalaote,” Boikanyo, 12, no longer views her dying aunt as a relative, just a burden. Boikanyo meets a boy and escapes the drudgery of caretaking, though after her aunt’s death, her striking reflections on the proximity of her school to the cemetery make her realize the constant presence of death in her life. In “A Good Girl,” Keletso, nine, observes her mother and teenage sister’s wariness with each other as her sister vies for independence and spills a family secret. Keletso later moves to Gaborone, where her married brother lives, and remains the “good” one in his eyes, never revealing her relationships with men or her drinking. Here, Moeng adds to the stunning range of narrative styles, sliding into first-person plural to encapsulate the debaucherous activities of Keletso and her female roommates. She meets an artist, learns another secret, and comes to terms with her role as a repository for deceit. Twenty-something Phetso grieves her husband’s death in a car accident in “Small Wonders” and marvels at how nothing has changed for anyone else. She becomes a solitary observer, ignoring family and their desire for a ceremony to honor him and release her from her mourning after a year. The author brings insightful prose and a distinctive voice to these layered stories, demonstrating deep knowledge of her characters and care for their worlds. Moeng is a new force in the literary landscape. Agent: Julie Barer, Book Group.

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  • English

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