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The Eleventh Commandment

Audiobook
17 of 17 copies available
17 of 17 copies available
Connor Fitzgerald is the CIA's most deadly assassin. On the brink of his retirement, he is sent to Russia for one last hit. Except this isn't just another job. After a fall out between the CIA and the White House over the assassination of a prominent Colombian politician, his boss is now using the Russian Mafia to cover her tracks. Fitzgerald is not going to St Petersburg to kill, he's going to die. A page-turning, political thriller about espionage and betrayal by the acclaimed British writer, Jeffrey Archer. The Eleventh Commandment is narrated by Michael Brandon, most famous for playing James Dempsey in the 1980's television crime drama, "Dempsey and Makepeace". His extensive theatre career spans Broadway and the West End, where he played Jerry Springer in \"Jerry Springer: the Opera\" for the National Theatre. -
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    • Publisher's Weekly

      June 1, 1998
      From the first line, former British M.P. Archer (The Fourth Estate, etc.) navigates a nonstop, rocketing ride. Middle-aged Connor Fitzgerald is a happily married man, decorated veteran and devoted father; he's also an "NOC," a "non-official cover officer" for the CIA specializing in assassinations. The killing of a Colombian drug lord leaves Connor out of sync with the Democratic president's policy, so the director of the CIA, a woman, sets Connor up to take the fall in a fake assassination of the leading candidate for the Russian presidency, an unreconstructed Stalinist. Connor (aided by an ex-CIA deputy director whose life he once saved) gets out of a St. Petersburg jail and falls into the hands of the Russian Mafia. Wheels spin within wheels until the slam-bang climax during the new Russian president's visit to Washington. Some plot details, including the final twist, are a tad hokey, and Connor keeps his much-touted charisma under wraps, yet Archer sweeps us along (and even finds time to write himself into the plot as London's mayor, a position he's seeking in real life). The only boo-boo here is Archer's unwitting revivification of flamboyant Redskins owner and Northern Virginia tycoon Jack Kent Cooke (though he was a character). In any case, readers won't mind the occasional giddiness: this isn't Tolstoy, it's fun. Simultaneous Harper audio.

    • AudioFile Magazine
      In this densely plotted, improbable thriller, a CIA assassin of impeccable integrity has to be eliminated to save his lady boss's hide. Somehow he escapes from all the traps laid for him, but can he ultimately save himself and his family from the power of America's secret govern-ment, as well as the Russian mafia? Maybe--with a little help from his friends, one of whom is "deus ex machina"--without whom the book would be half as long and the hero twice as dead. Martin Jarvis plods through the ever-thickening plot as if he couldn't wait to get out of the studio. But Jarvis's worst is still better than most narrators' best. Aficionados of this type of writing will hardly know the difference. Y.R. (c)AudioFile, Portland, Maine
    • AudioFile Magazine
      Martin Jarvis give his usual--top-flight--performance to Archer's spies and assassins caper. Jarvis has a delightful characterization for each of the key players. He captures each from the (female) director of the CIA to the Russian Mafia, playing them a bit over the top, but Archer writes that way, so why not! Jarvis is brilliant in a key scene of suspense, borrowed from The Day of the Jackal perhaps, as the assassin awaits his political target. This fast-paced thriller keeps listeners waiting for the next move. R.F.W. (c)AudioFile, Portland, Maine
    • AudioFile Magazine
      Thou shalt not get caught may be an assassin's eleventh commandment, but it's impossible not to get caught up in this cleverly plotted thriller. Connor Fitzgerald's secret life as a CIA operative threatens to unravel following the attempted killing of the new and reactionary Russian president. Pace and pauses are important, and narrator Hecht gets them just right. He also gets inside a variety of characters--the decent American president, several unpleasant Russians, Connor's kaleidoscopic aliases, the devious female CIA head and, of course, Connor himself, whose basic humanity and long-term love for his wife are juxtaposed with his ruthless on-the-job persona. J.B.G. Winner of AUDIOFILE Earphones Award (c)AudioFile, Portland, Maine

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  • English

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