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Darcy's Utopia

ebook
1 of 1 copy available
1 of 1 copy available
Eleanor Darcy has come up in the world. With her second husband in prison for financial crimes against the nation, she is a media sensation. A self-professed 'feminist of the socialist variety,' Eleanor grants an exclusive interview to Hugh Vansitart and Valerie Jones, a pair of ambitious journalists. Her vision of the future includes the abolition of money and society-approved procreation, a world in which 'all men will believe in God and be capable of love.' During the course of their interviews, Hugh and Valerie succumb to some erotic impulses of their own, while Eleanor goes on to become patron saint of the Darcian Movement.
Now in her ninth decade, Fay Weldon is one of the foremost chroniclers of our time, a novelist who spoke to an entire generation of women by daring to say the things that no one else would. Her work ranges over novels, short stories, children's books, nonfiction, journalism, television, radio, and the stage. She was awarded a CBE in 2001.
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    • Publisher's Weekly

      March 4, 1991
      ``What is this thing called love,'' asks Weldon's latest flaky/wise heroine in the first sentence of this idiosyncratic exploration of economics, politics and spirituality in the Western world. Eleanor Darcy, a national figure whose economist husband was recently jailed for misuse of public funds, is being interviewed by Hugo Vansitart and Valerie Jones, two journalists who have fallen in love, precipitously, upon the eve of their respective assignments. ``In Darcy's Utopia. . . '' Eleanor declares continually as she describes for each writer her--or her husband's--vision of a world uncomplicated by either rules, monetary systems or families. Born to a teenager (whose mother eventually married Eleanor's father) and originally named Apricot, becoming Ellen when she wed her first husband, Eleanor has embraced Roman Catholicism and Marxism before grabbing onto utopianism. Meanwhile, Valerie and Hugo, living in a Holiday Inn, cope with the families they have left in response to their shared passion, which Weldon slyly suggests may have originated with the Devil. Although amorphous and inconclusive, the latest satire from the author of The Cloning of Joanna May is ambitious, provocative and unremittingly entertaining.

    • Publisher's Weekly

      June 29, 1992
      This amorphous but entertaining novel explores economics, politics and spirituality through the ruminations of a flaky/wise heroine.

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