The Hate U Give

Starred review from November 28, 2016
At home in a neighborhood riven with gang strife, Starr Carter, 16, is both the grocer’s daughter and an outsider, because she attends private school many miles away. But at Williamson Prep, where she’s among a handful of black students, she can’t be herself either: no slang, no anger, no attitude. That version of herself—“Williamson Starr”—“doesn’t give anyone a reason to call her ghetto.” She’s already wrestling with what Du Bois called “double consciousness” when she accepts a ride home from Khalil, a childhood friend, who is then pulled over and shot dead by a white cop. Starr’s voice commands attention from page one, a conflicted but clear-eyed lens through which debut author Thomas examines Khalil’s killing, casual racism at Williamson, and Starr’s strained relationship with her white boyfriend. Though Thomas’s story is heartbreakingly topical, its greatest strength is in its authentic depiction of a teenage girl, her loving family, and her attempts to reconcile what she knows to be true about their lives with the way those lives are depicted—and completely undervalued—by society at large. Ages 14–up. Agent: Brooks Sherman, Bent Agency.

Starred review from June 5, 2017
A routine traffic stop turns tragic for two African American teens, leaving one dead and the other irrevocably changed by the shooting and its aftermath of legal battles, survivor’s guilt, and race riots. Thomas’s fictionalized story of the Black Lives Matter movement is powerful, and the star turn here by reader Turpin makes it all the more riveting. Turpin, who was PW’s 2016 Narrator of the Year, delves into the character of Starr, who struggles with whether to come forward with the truth about the shooting when doing so means her own life will come under terrible scrutiny. She conveys the complexity of the 16-year-old protagonist who sounds both youthful and mature for her age, as she relies on code-switching to navigate two different social settings—her mostly black neighborhood and mostly white school—until, partway through the novel, she starts breaking all the rules she’s previously used to compartmentalize her life. Turpin also turns in memorable performances for various supporting characters, especially Starr’s parents, who come from contrasting backgrounds and approach Starr’s crisis differently, and several of the kids at school. Turpin’s remarkable sensitivity carries this performance to the ranks of greatness. A HarperCollins/Balzer + Bray hardcover.