Once Upon a Prime

February 20, 2023
This spirited if inessential debut by Hart, a math professor at the University of London, surveys how math influences the structure, symbolism, and themes of literature. She posits that math and literature are linked in their common “quest” to “understand human life and our place in the universe,” and analyzes how Chimamanda Ngozi Adichie, Kurt Vonnegut, and Oscar Wilde, among others, make use of mathematical concepts in their work. She explores in Moby-Dick the calculations behind Ishmael’s observation that a soapstone released along the interior of a vat for rendering whale oil will take the same time to slide to the bottom regardless of the height it’s released from. However, it’s not clear how this relates to Hart’s contention that the use of math by Melville’s characters signifies vain efforts to control and “navigate the unknowable universe.” Elsewhere, she notes that the patterns and rhythms of poetry are rooted in math, suggesting that the prime numbers in the haiku format (three lines of five and seven syllables) make the lines “separate indivisible entities.” Such connections come across as amusing trivia, but Hart fares better when examining authors who deliberately looked to math for inspiration, such as the French experimentalists known as the Oulipo who in the 1960s sought to devise original literary forms from mathematical ideas. This won’t change how readers see their favorite books, but there are some entertaining tidbits.