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An Introduction to... VIVALDI

The Four Seasons

Audiobook (Includes supplementary content)
1 of 1 copy available
1 of 1 copy available

The Classics Explained series explores, in words and music, the major classical works of the concert hall. In an accessible and lively manner, Jeremy Siepmann looks at the history and the form of the great masterpieces of Western music.

The Four Seasons is one of the most popular classical works ever written - four violin concertos, each capturing moods and illustrating stories related to a specific time of year. After 300 years, their melodies continue to thrill and seduce, their harmonies to haunt and excite, their tone-paintings to ravish the ear and inspire the imagination. But how do they work their particular magic? Why have they succeeded where others have failed? In this voyage of discovery, each movement is preceded by a lively exploration of its means with the help of many examples and useful analogies.

Jeremy Siepmann, in his engaging analysis of The Four Seasons, starts: 'One of the hardiest of all clichés where music is concerned is the claim that Vivaldi didn't write hundreds of concertos but one concerto hundreds of times. It ain't true'. You may know how The Four Seasons goes - the tunes and the exciting moments - but do you know how it is put together? Though the four concertos are each based on the standard three-movement concerto pattern (fast-slow-fast) how does Vivaldi inject all that pace and colour? Jeremy Siepmann explains.

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    • AudioFile Magazine
      [Editor's Note: The following is a combined review with AN INTRODUCTION TO... RAVEL.]--Great music has visceral appeal, and one shouldn't need liner notes to enjoy it. But like any serious art, classical music can be appreciated more deeply if one understands what's under the surface. That's the idea behind these recordings, in which Jeremy Siepmann alternates musical excerpts with his analysis. He engagingly describes how Vivaldi creates the impression of thunderstorms, birds in flight, and sleeping peasants, and how Ravel uses orchestral techniques to create lavish tone pictures. In his prose and his narration, Siepmann manages to be both erudite and avuncular--he clearly understands theory and composition, but the listener needs only a basic knowledge of these to enjoy his informal commentary. (Both CDs come with thick booklets that include the text of the narration and additional background for the keener.) It's remarkable how much Siepmann has mined from Boléro and The Four Seasons, two works that, for all their popularity, are awfully repetitive. Admittedly, it's easy to understand Ravel's "orchestral sorcery"--a typical Siepmann phrase--when one hears his techniques applied over and over to the same theme. But our critic does have a tendency to describe, say, a simple key change as though it were something that should knock the listener out of his chair. If one can forgive this occasionally misplaced enthusiasm, these recordings are an entertaining complement to the music. D.B. (c) AudioFile 2002, Portland, Maine

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  • OverDrive Listen audiobook

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  • English

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